17. Secondary (Applied, Borrowed) Dominants
| item | page | title | audio | Spotify playlist | Naxos playlist |
|---|---|---|---|---|---|
| 173 | 120 | Beethoven, Trio, op. 1, no. 1 | 1 | 1 | |
| 174 | 120 | Mozart, Sonata, K. 281 | play | 2 | 2 |
| 175 | 121 | Schubert, Impromptu, op. 142, no. 3 | play | 3 | 3 |
| 176 | 121 | Haydn, Trio in D major | 4 (start at 6:30) | 4 (start at 6:58) | |
| 177 | 122 | Beethoven, Sonatina in G major | play | 5 | 5 |
| 178 | 122 | Weber, Oberon: Overture | 6 (start at 3:46) | 6 (start at 3:55) | |
| 179 | 123 | Beethoven, Trio, op. 1, no. 1 | 7 | 7 | |
| 180 | 124 | Schumann, Sonata, op. 118c, Andante | play | 8 | 8 |
| 181 | 124 | Beethoven, Symphony No. 1, op. 21 | 9 | 9 | |
| 182 | 125 | Handel, Suite XI | play | 10 | |
| 183 | 125 | Schumann, Arabeske, op. 18 | 11 | 10 | |
| 184 | 126 | Beethoven, Symphony No. 4, op. 60 | 12 | 11 | |
| 185 | 127 | Schumann, Widmung, op. 25, no. 1 | 13 | 12 | |
| 186 | 128 | Schubert, Symphony No. 8 ("Unfinished") | 14 (start at 2:56) | 13 (start at 2:54) | |
| 187 | 128 | Schumann, Sonata, op. 118c, Puppenwiegenlied | 15 (start at 0:13) | 12 (start at 0:14) | |
| 188 | 129 | Schubert, Quintet ("Die Forelle"), op. 114, D. 667 | 16 (start at 0:51) | 15 (start at 1:19) | |
| 189 | 130 | Beethoven, Quintet, op. 29 | 17 (start at 0:26) | ||
| 190 | 131 | Beethoven, Trio, op. 11 | 18 (start at 2:12) | 16 (start 2:05) | |
| 191 | 132 | Verdi, Rigoletto, Act II, no. 7 | 19 (start at 4:06) | 17 | |
| 192 | 134 | Handel, Suite XVI | 20 | ||
| 193 | 134 | Beethoven, Sonata, op. 53 | play | 21 (start at 0:56) | 18 (start at 0:52) |
| 194 | 134 | Schubert, Symphony in C major ("The Great") | 22 (start at 3:31) | 19 (start at 3:31) | |
| 195 | 135 | Beethoven, Trio, op. 1, no. 3 | 23 (start at 6:49) | 20 (start at 7:05) | |
| 196 | 136 | Schubert, Mass in E♭ major: Benedictus | 24 | 21 | |
| 197 | 137 | Mendelssohn, Midsummer Night's Dream, Wedding March | 25 (start at 0:06) | 22 (start at 0:06) | |
| 198 | 138 | Verdi, Rigoletto, Act I, Scene 2: Ah! veglia, o donna | 26 (start at 1:35) | ||
| 199 | 138 | Bach, Christmas Oratorio, no. 4: Introduction | 27 | ||
| 200 | 139 | Handel, Sonata VII for Flute and Continuo | 28 | 23 | |
| 201 | 140 | Chopin, Mazurka, op. 67, no. 2 | play | 29 (start at 0:39) | |
| 202 | 140 | Chopin, Valse, op. 69, no. 1 | play | 30 | 24 |
| 203 | 141 | Chopin, Valse Brillante, op. 34, no. 3 | play | 31 (start at 0:46) | 25 (start at 0:49) |
| 204 | 142 | Gershwin, Someone to Watch Over Me | 32 (start at 2:10) | 26 (start at 7:48) | |
| 205 | 143 | Tchaikovsky, Morning Prayer | play | 33 | 27 |
Naxos users: Check with your course instructor or librarian for access to the Naxos Music Library. To import all Music for Analysis playlists to your own custom playlists:
Naxos Playlist Users Guide (from Naxos site) Spotify users: Download the free desktop application (from Spotify site) |
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